Another year prozac typical dosage Allen's current peripatetic phase means that location also has to be factored into any creative consideration. His stature, and the giddy, tourist-tastic view he tends to adopt when shooting in his chosen locales, means he has no shortage of offers – the mayor of Rio de Janeiro recently implored him to set a film there, and he can barely walk down the street without someone suggesting that his next project should be Midnight In Jerusalem or Bullets Over Bogota. But Allen's conditions for setting up shop are clear and unshakeable. Financiers, whether individual or municipal, must give him complete creative control – they certainly can’t be privy to his script – and he has to feel some kind of empathy with his chosen milieu, which rules out, say, South Sudan or Ukraine, or places even closer to home. “Jasmine's sister could have lived in Pittsburgh, or Texas, but I can't,” he says flatly. “Now, I like San Francisco – I did my first ever movie there, Take The Money And Run. So I know I can work there. You know, I'm not a traveller for fun, and I'm not a curious person. If it was up to me, I'd never go any place. My wife pushes me to go to these places, because she likes to experience different countries and cultures.” He grins. “I prefer watching baseball.”
|
