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shmurak Группа: Администраторы Сообщений: 291	Добавлено: 01-03-2005 17:54
	INTERNATIONAL COMPOSITION COMPETITION EUROCHESTRIES Цитировать
shmurak Группа: Администраторы Сообщений: 291	Добавлено: 01-03-2005 17:56
	2004 INTERNATIONAL COMPOSITION COMPETITION The FEDERATION des EUROCHESTRIES organizes - as part of its program in the 2004 Festival - an International Composition Competition for symphonic orchestra. REGULATIONS : ARTICLE 1 The competition is open to all composers of any nationality and of any age. Taking part in the competition is free of charge. ARTICLE 2 Will be admitted in competition : Compositions for symphonic orchestra (see maximal nomenclature in article 14), without a soloist (no concertos). All transcriptions are excluded. ARTICLE 3 Every composer can present only one work. ARTICLE 4 The work is intended for musicians whose level corresponds to the upper Cycle of a National Conservatory. The work must be written in traditional musical notation and should not appeal to any instrument outside the proposed nomenclature. ARTICLE 5 The work can be divided into several movements or equivalent. The work as a whole must last between 10 and 15 minutes. ARTICLE 6 The candidates will have to certify in writing that the submitted works are original and have never been performed before an audience nor awarded a prize at any other competition. ARTICLE 7 The composers will have to send their scores in three (3) copies : They must be legible, handwritten in ink or first rate duplicates, or, as far as possible, by means of software (Finale, Encore). A sign (acronym, number, maxim or quotation) will have to appear on the first page of these scores. The sign should not refer to the composer's surname or first name, or to any information allowing to identify him (any indication allowing to know the origin of the work would involve its elimination). The same sign will have to be written on a separate envelope enclosing the following : - The composer's precise coordinates (surname, first name, full address, telephone number, etc.) - A concise curriculum vitae. - A photo of the composer. - The certificate described in article 6. Only the envelopes corresponding to the selected works will be opened. ARTICLE 8 The musical scores and other documents will have to reach the Competition Secretary on 31 MARCH 2004 at the latest, by REGISTERED LETTER, at the following address : CONCOURS INTERNATIONAL DE COMPOSITION 2004 Fédération des Eurochestries Ecole des Arts André Messager 7, rue Mozart 17500 SAINT-GERMAIN DE LUSIGNAN FRANCE ARTICLE 9 The jury will be chosen by the "Federation des Eurochestries" and made up with personalities of high musical competence. The decisions are taken by full majority. In case of equal results, the president of the jury will have a casting vote. The jury's decisions are final and supreme. ARTICLE 10 A maximum of 3 prizes can be awarded by the jury, and if necessary they will be attributed to two or several composers ex aequo. First Prize : 2500 euros. Second Prize : 1700 euros. Third Prize : 1000 euros. The jury reserves oneself a right not to award one or other of these prizes, and to attribute various mentions outside these 3 awards. The jury's decision will be proclaimed on the 30th of APRIL at the latest. ARTICLE 11 The awarded works will be executed during the 15th European Festival of Youth Orchestras, between the 9th and the 30th of July 2004. The composers whose works will have been selected will have to carry out the orchestral set of parts, according to the traditional notation, and to to send it freely to the Competition Secretary before the 15th of June 2004, with a view to the rehearsals. The composers can attend the rehearsals. The selected and awarded works could be published by the "Federation des Eurochestries". ARTICLE 12 The works that will not be awarded a prize can be taken or asked for at the Competition Secretary up to the 30th of June 2004 ; after this date they will be destroyed as well as the accompanying envelopes. ARTICLE 13 For cases which have not been planned in this regulation (in its french version), they will be ruled by the legislation in force. The composers taking part in the Competition are bound to accept this regulation and the jury's decisions. ARTICLE 14 : Nomenclature, see next page. ARTICLE 14 MAXIMAL NOMENCLATURE FOR THE SYMPHONIC ORCHESTRA The orchestration of the work can gather a less important number of instruments, but must not be superior to the one below (the given order follows the DISPOSITION FIXED for the score) : - 1 Piccolo (does NOT play the 3rd Flute) - 2 Flutes - 2 Oboes - 1 English Horn (or third Oboe) - 1 Little Clarinet in E flat (does NOT play the clarinet) - 2 Clarinets in B flat - 1 Bass-Clarinet (does NOT play the clarinet) - 2 Bassoons - 1 Contrabassoon (provide for a substitution ; this instrument will probably not be available for the performance) - 4 Horns in F - 3 Trumpets in B flat or in C - 3 Trombones - 1 Tuba - Percussion : 5 players are possible, including the timpanist : Timpani (4 possible), Snare drum, Bass drum, Cymbals, Hanging Cymbals, usual instruments (Castanets, Triangle, Tambourine, Tam-tam, Wood-blocks, ...), Keyboards (Glockenspiel, Xylophone, Marimba, Vibraphone). NO PIANO. - 1 Harp ad libitum - String Quintet LAURÉATS du 1er CONCOURS INTERNATIONAL DE COMPOSITION POUR ORCHESTRE SYMPHONIQUE * PRIZEWINNERS of the 1st INTERNATIONAL COMPOSITION COMPETITION FOR SYMPHONIC ORCHESTRA * 1er Prix - 1st Prize : Non décerné / Non awarded. 2e Prix - 2d Prize : "HITOKOE" de/by Eric PEREZ SEGURA (Mexico) 3e Prix - 3rd Prize : "FANTASIA" de/by David James ECCOTT (England) * Mentions spéciales du Jury, pour la qualité de la musique, mais dont le niveau instrumental est trop élévé pour un 3e cycle de CNR / Special distinctions of the Jury, considering the quality of music, but too difficult for 3rd grade CNR instrumentalits : "DIE TRAUMREISENDEN" de/by Paolo BOGGIO (Italy) "QUATERNION" de/by Alastair GREIG (England) * The Jury Members of the Jury Solange ROBIN-CHIAPPARIN, Composer, pianist, organist, chef de chant, analysis teacher in the National Conservatory of Paris. Christine MENNESSON, Composer, awarded by the Villa Kujoyama, member of the editorial staff of the review "L'Analyse Musicale" from 1999 to 2004. Robert PASCAL, Composer, composition teacher in the National Conservatory of Lyon. Armando GHIDONI, Composer, teacher in Paris at the International Conservatory of music. Animateur du cours de perfectionnement pour saxophone. Composition et arrangement. Professeur à Trente, Italie du nord. Alexandre METRATONE, Composer. Цитировать

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